A Winter’s BallĪgain: Burr’s monologues are always a welcome presence in these tracks.
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It also features a hilarious nod to Sherman Edwards’ 1776 musical when Hamilton says, “Sit down, John” and then adds a colorful, “you fat motherf***er!” 36. Odom Jr.’s real flare for showmanship turns what could be throw-away intros into truly excellent material.
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Hamilton wisely surmises that the best way to introduce audiences to new eras of its title character’s life story is through the narration of the man who killed him in Aaron Burr (Leslie Odom Jr.). Talk about “the calm before the storm.” “Best of Wives and Best of Women” captures one last quiet moment between Alexander and Eliza before Aaron Burr canonizes his one-time friend to the $10 bill. It also feels like one long middle with no compelling introduction or conclusion. And between its urgent piano rhythm and panicky Miranda vocals, it does quite a good job of capturing the appropriate mood. Set in the brutal dredge of the Revolutionary War, “Stay Alive” is a song about desperation. It does quite a good job in this regard but naturally can’t compete with some of the more bombastic songs on the list. “Take a Break” is charged with dramatizing the notion that Hamilton simply works too much with a sweetly melancholic melody. Part of the miracle of Hamilton is how the soundtrack is able to turn rather mundane concepts and events in Hamilton’s life into rousing, larger-than-life musical numbers. A passionate, thriving Hamilton fandom rose up out of that soundtrack and it continues through to this day. At 46 tracks spread out over nearly two and a half hours, this album closely replicates the experience of a show most could never get a ticket to live. And it does so at a musical sprint with almost no expository time-wasting in-between.Īs such, the Hamilton soundtrack is a staggeringly impressive piece of recent culture.
Miranda’s book and lyrics about one of the country’s most colorful and impressive founders has a lot of ground to cover. In addition to its many ingenious quirks and hooks, Hamilton is truly a musical musical. At a certain point, however, you’re bound to realize that the play is about 40 minutes in and The. takes the stage as Aaron Burr followed by Miranda’s Hamilton, you realize that this production about America’s founding fathers is made up almost exclusively of People of Color. The first thing you notice is the spartan, largely empty stage. Imagine the experience of being one of the first individuals to see Lin-Manuel Miranda’s now-classic Hamilton: An American Musical live.